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Bimal Das Gupta - The tutelage Hindustan times blog

A Historic Retrospective: ‘Bimal Das Gupta – The Father of Indian Abstraction’

New Delhi recently played host to a landmark exhibition that marked the triumphant return of a legendary figure in Indian art. “Bimal Das Gupta: Tutelage – An Ode to a Legend” successfully reintroduced one of India’s most pioneering artists to the public, offering a comprehensive look at his groundbreaking contributions to modern abstraction in India.

This major solo exhibition, the first of its kind in 30 years, celebrated the enduring legacy of Bimal Das Gupta (1917-1995), India’s first abstractionist. Das Gupta’s work continues to inspire generations of artists and art enthusiasts alike. Presented by Dhoomimal Gallery, India’s oldest gallery, and Gallery Silver Scapes, the exhibition was a long-overdue tribute to the master.

Spanning over five decades of work, the exhibition showcased seminal pieces from various key phases of Das Gupta’s career. Expertly curated by senior journalist and art critic Archana Khare-Ghose, the show offered a nuanced perspective on the artist’s evolution and his lasting impact on Indian modernism. The exhibition was met with great enthusiasm, attracting a diverse audience of art collectors, critics, and admirers. A special publication featuring in-depth essays on Das Gupta’s art provided fresh insights into his distinctive style and philosophical approach to abstraction.

Das Gupta’s legacy was also evident in his powerful connections with influential patrons, including former Prime Ministers Inder Kumar Gujral and V. P. Singh. The exhibition served as a poignant reminder of the artist’s immense contribution to India’s cultural landscape, with works that resonate with modernity and timelessness.

As the gallery doors closed on this historic exhibition, it was clear that “Bimal Das Gupta: Tutelage” was more than just a retrospective. It was a celebration of an artist’s legacy, a moment of rediscovery, and an opportunity for a new generation to engage with the revolutionary art of India’s first abstractionist.

The exhibition’s success reaffirmed Das Gupta’s place in Indian art history and sparked renewed conversations about the importance of abstraction in modernism.

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