Gallery Silver Scpaes
Losing Paradise
Losing Paradise
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Artist: Anurag Anand
Medium: Acrylic on Handmade Paper
Size: 30 × 22 inches (76.2 × 55.88 cm)
Year: 2024
Delicately interweaving the pastoral with the primal, Losing Paradise by Anurag Anand is a poignant visual meditation on humanity’s estrangement from its natural and spiritual origins. Executed in acrylic on handmade paper, this mixed-media composition employs a raw, almost primitive aesthetic that draws upon folk sensibilities, memory, and myth to evoke a vanishing world.
At the heart of the scene is a seated female figure, nude, unadorned, and rendered in warm, earthy hues that harmonize with the surrounding landscape. Her relaxed posture, with folded legs and gently forward-leaning torso, embodies a sense of ease and stillness, anchoring the viewer’s gaze amid a world in quiet transition. The tonal variations of her skin are masterfully subtle, revealing an attention to anatomical contour that is both expressive and grounded in human physicality.
Behind her, a procession of simplified male forms—also nude and stylized in similar ochre-brown tones, inhabits the middle ground. These figures appear in motion, walking or pausing in silent communion with the earth and one another. They are spectral presences of a time before displacement, evoking echoes of tribal life or ancestral memory, where body and land were once in seamless dialogue. In the background, modest village dwellings rise in soft tones of white, yellow, and sienna, their geometries simple and evocative of indigenous rural architecture. The houses are framed by loosely rendered trees in blues, greens, and ethereal pinks, their fluid outlines blurring the distinction between nature and abstraction. This impressionistic treatment enhances the dreamlike quality of the composition, suggesting a world more remembered than real. A large terracotta pot in the foreground, drawn with greater precision, and scattered blossoms of pink and orange act as tactile reminders of domestic ritual and the sacred ordinary. These elements balance the emotional weight of the central figure, grounding her in both cultural specificity and symbolic richness.
Losing Paradise unfolds as a gentle elegy to the fragility of ecological and cultural equilibrium. Through his restrained palette, symbolic placement of figures, and layered textures, Anand captures a narrative of quiet loss, where beauty persists, but is increasingly peripheral, a whispered memory of a simpler, interconnected existence. The work compels viewers to contemplate the price of progress and the lingering ache of disconnection from the land and from one another.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.