Gallery Silver Scpaes
Harmony
Harmony
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Artist: Anurag Anand
Medium: Acrylic on Handmade Paper
Size: 30 × 22 inches (76.2 × 55.88 cm)
Year: 2024
In this evocative painting, the artist tenderly captures the rhythms of rural life through a quiet, introspective lens. Bathed in the warm, subdued glow of either sunrise or sunset, the composition unfolds in muted, earthy tones that evoke a profound sense of stillness and timelessness. The scene is a lyrical ode to domesticity and the quiet resilience of women, rendered with a visual language reminiscent of folk and naïve art traditions.
Set within a rustic village, simple yet dignified homes in beige, tan, and ochre hues line the composition. These textured structures, humble in form, frame the daily lives of their inhabitants. A distinctive feature is the pointed tower adorned with a clock face, which anchors the visual field and subtly introduces the notion of time passing, both cyclic and eternal. The narrative focus rests on the group of women in the foreground and mid-ground. They are portrayed in various states of repose and labor: one seated beneath the shade of a tree, intently engaged in a traditional craft; another tending to a pot over a fire; a third, noticeably pregnant, resting quietly in the background. Each figure is rendered with grace and dignity, their roles in the unfolding domestic scene presented without sentimentality yet full of empathy. Their calm gestures and purposeful stances reflect both individual agency and communal cohesion.
The palette is dominated by warm, earthen colors, pinks, browns, and greens, that evoke the textures of sun-baked soil and organic vegetation. A deep, pinkish-red ground spans the canvas, creating a dreamlike yet grounded visual field. Stylized green shrubs and sparse trees add verticality and rhythm to the otherwise horizontal flow, while a lone bird perched in a tree above adds a whisper of the natural world’s quiet observation. Stylistically, the painting employs simplified forms, flattened perspective, and a decorative sensibility characteristic of folk and vernacular traditions. Yet beneath its naïve surface lies a sophisticated meditation on cycles, of nature, work, life, and birth. The balance of architectural solidity and human tenderness suggests a deep reverence for rural life and its enduring values.
This composition is a poignant celebration of continuity, memory, and feminine strength. It invites viewers to pause and enter a world where time slows, where the rituals of daily life unfold gently against the backdrop of a changing sky.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.