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Gallery Silver Scpaes

Forgotten Twilight

Forgotten Twilight

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Artist: Anurag Anand
Medium: Acrylic on Canvas Board
Size: 24 × 18 inches (60.96 × 45.72 cm)
Year: 2024

The painting Forgotten Twilight presents a compelling vision of an urban environment teetering between memory and myth. Executed in vibrant acrylic on canvas board, the work immerses viewers in a densely packed cityscape where the interplay of color, texture, and form evokes a sense of both vitality and quiet contemplation. The palette, dominated by warm yellows, oranges, and browns, conveys the tactile warmth of aged architecture, while the textured brushstrokes imbue the scene with dynamic energy and painterly immediacy.

Composition stands a striking dark, leafless tree, its bare branches sprawling across the clustered buildings and reaching outward like a silent guardian or witness. This natural element introduces a poignant contrast to the geometric, man-made structures, suggesting themes of endurance, decay, and the cyclical passage of time. The tree’s stark silhouette anchors the composition, commanding attention as it weaves through the architectural labyrinth beneath a glowing orange-yellow celestial body ambiguous in identity, it might be either sun or moon—casting a warm, diffuse light over the scene.

The artist’s adept manipulation of varied shades and tonalities deepens the impression of spatial complexity and atmospheric depth. The dense arrangement of buildings recedes subtly into the background, allowing the viewer’s eye to explore layers of architectural forms that suggest a cityscape rich in history and lived experience. In the lower right corner, a body of water rendered in dark blues and greens offers a visual respite and a reflective surface, introducing fluidity and balance to the otherwise compact and textured environment.

Stylistically, the painting embraces expressive techniques with visible, confident brushwork that conveys both motion and stillness, qualities that underscore the work’s meditative quality. The textural application of paint creates a tactile surface that invites close visual engagement, while the overall composition evokes a cityscape that is simultaneously bustling and timeless, tangible yet suffused with a sense of mystery. Forgotten Twilight stands as a poetic meditation on urban existence, its beauty, its fragility, and its deep-rooted connection to nature and the passage of time. The piece calls on viewers to reflect on the layered histories embedded within the built environment, capturing the evocative spirit of a city suspended between the past and an uncertain future.

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Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.