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Gallery Silver Scpaes

Goa Sunshine

Goa Sunshine

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Artist: Anurag Anand
Medium: Acrylic on Canvas
Size: 48 × 36 inches (121.92 × 91.44 cm)
Year: 2025

Rendered with bold vitality and rhythmic tension, this vibrant abstract painting captures the emotional pulse of an imagined cityscape. The composition is a striking interplay of color, form, and spatial compression, evoking a world that is both whimsical and deeply expressive. Here, architecture, nature, and movement converge in a tableau that distills urban life into symbolic fragments, layered with nuance and energy.

Clusters of buildings, angular and overlapping, form the heart of the painting. The palette is dominated by rich ochres, deep reds, and muted blues, lending the structures both solidity and warmth. These simplified forms, rendered with uneven lines and childlike geometry, transcend mere representation to become carriers of mood and memory. The result is a city that feels familiar, yet abstracted, a psychological map as much as a physical space.

A bright yellow sun radiates from the upper right quadrant, casting a symbolic warmth that animates the surrounding forms. Its intensity is mirrored by a flying pale-yellow bird, whose trajectory across the sky adds a moment of dynamism and visual release. In the foreground, a single stylized tree anchors the organic within the architectural, introducing a note of contemplation amid the chaotic clustering of built forms. The earthy, muted brown and dark grey background provides a contrasting ground for the vibrancy of the structures. This tonal counterbalance gives depth and spatial resonance to the otherwise flat pictorial plane. A small, indistinct animal or figure, located near the bottom left, acts as a subtle point of intrigue its presence enhancing the painting’s narrative ambiguity.

Executed with expressive, thick brushstrokes, the surface of the canvas pulses with texture and gestural confidence. The application of paint is tactile and spontaneous, reinforcing the emotional immediacy of the work. Though the visual language flirts with the innocence of childlike renderings, the painter’s mature control of composition and color belies a deeper, more reflective engagement with the urban condition. This work resonates as both a celebration and critique of city life, vivid, dense, at times overwhelming, but also teeming with the possibility of connection, light, and beauty. It is an artwork that beckons the viewer to look beyond the surface and into the living rhythms of a world imagined with both wonder and discernment.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.