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Gallery Silver Scpaes

Sleepy Hollow

Sleepy Hollow

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Artist: Anurag Anand
Medium: Oil on Canvas
Size: 36 × 36 inches (91.44 × 91.44 cm)
Year: 2025

Anurag Anand’s Sleepy Hollow is a richly atmospheric painting that merges folk sensibility with moody surrealism, drawing the viewer into a twilight realm of quiet enchantment and subdued mystery. Rendered in oil on canvas, the composition delicately balances the charm of naïve visual language with the haunting undertones of a dreamscape, inviting reflection on solitude, memory, and the subtle magic of the nocturnal world.

The scene unfolds on a sloping hillside populated by a cluster of small, stylized houses. Their façades, washed in soft hues of yellow, pink, and gray, emit a muted warmth, each structure distinct yet rhythmically arranged to form a harmonious visual cadence. The steeply pitched roofs, reminiscent of traditional mountain dwellings, evoke both vulnerability and resilience in the face of encroaching nightfall. Though simple in form, these homes exude character, collectively suggesting a close-knit, perhaps forgotten, community slumbering beneath the veil of night.

Dominating the left portion of the canvas is a monumental tree, rendered with thick, expressive branches and dark-green foliage. Its presence is both protective and enigmatic. Nestled within its upper branches, a solitary white owl perches with quiet vigilance, serving as both observer and symbol. In many cultural traditions, the owl is a harbinger of wisdom, introspection, or the mystical unknown, a perfect sentinel for the dusky world Anand conjures.

The surrounding landscape is painted in a restrained palette of dark grays and greens, deepening the mood of introspective quietude. A winding pathway, rendered in dark, almost waterlogged tones, cuts through the composition like a memory trail, ambiguous in its destination, yet evocative of passage and time. The sky above, a brooding gray-purple, is softly illuminated by a pale, diffused light source, possibly the moon, possibly a fading sun, creating a luminous focal point that anchors the composition in a gentle, otherworldly glow.

Executed in a style reminiscent of folk and outsider art, Anand employs simplified forms, bold contours, and a textured surface treatment that may suggest the tactile effects of pastel or crayon, despite the oil medium. This stylistic choice enhances the work’s emotional immediacy and raw authenticity. Sleepy Hollow ultimately emerges as a visual poem, an ode to the nocturne, to places half-remembered, and to the quiet sentinels that dwell within them. Through its layered symbolism and emotive atmosphere, the work speaks to the deep, universal resonance of home, silence, and the unseen forces that shape our inner landscapes.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.