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Gallery Silver Scpaes

Gandharan (Gray Schist)

Gandharan (Gray Schist)

Rs. 199,999.00

Gray Schist (Carved with a figure of a griffin)
Period: 2nd century AD
Size: 9.5 × 7 inches

This Gandharan relief fragment, carved in gray schist during the 2nd century AD, Measuring 9.5 × 7 inches, the relief depicts a mythical griffin-like creature rendered with remarkable vitality and precision. The figure’s serpentine body, raised head, and stylized wings suggest both motion and controlled energy, qualities emblematic of Gandharan artisanship, which skillfully combined naturalistic modeling with symbolic intensity.

Executed in gray schist, a favored material in Gandharan sculpture for its fine grain and durability, the work demonstrates an extraordinary mastery of low relief carving. The sculptor’s attention to anatomical detail, rhythmic curves, and surface texture conveys a dynamic interplay between realism and stylization. The undulating body and coiling tail impart a sense of perpetual movement, while the head, carved in sharp relief, commands the viewer’s focus. The subtle gradations of depth and the use of shadow heighten the illusion of three-dimensionality, a hallmark of the Hellenistic influence that pervaded Gandharan art. 

From an art historical perspective, this work reflects the syncretic aesthetic that defined the Gandharan school—a fusion of Greco-Roman naturalism and Indian iconographic conventions. While the griffin is a motif with origins in ancient Mediterranean and Near Eastern art, its adaptation within a Gandharan context reveals the region’s cosmopolitan artistic environment along the Silk Route. The hybrid creature embodies themes of protection, strength, and divine guardianship, paralleling similar symbolic roles found in Buddhist architectural ornamentation, where such beings often guarded sacred spaces or marked transitional zones.

Though fragmentary, this relief encapsulates the philosophical and artistic ethos of Gandhara, its dialogue between the earthly and the mythic, the tangible and the transcendent. The sculpture stands as a testament to an era of cultural confluence, where mythology, craftsmanship, and cross-cultural exchange coalesced into enduring forms of visual expression.

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Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.