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Gallery Silver Scpaes

Untitled

Untitled

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Artist: Shanaka Kulathunga
Medium: Acrylic on Canvas
Size: 48 × 72 inches
Year: 2025

Shanaka Kulathunga’s commanding seascape, rendered in acrylic on canvas, envelops the viewer in an atmosphere of sublime solitude and elemental force. In this evocative composition, the artist turns a dramatic coastal landscape into a meditation on the raw power and quiet introspection found in nature’s more turbulent corners.

Dominated by a palette of deep grays, mossy greens, and earthy browns, the painting captures the visceral texture of craggy rock formations that emerge with sculptural weight across the foreground and mid-ground. These jagged masses are not merely topographical features but seem to embody a geological memory, ancient, weathered, and unmoved by time. Kulathunga’s use of impasto-like brushwork and carefully modulated tones contributes to the tactile immediacy of these formations, which feel both monumental and intimate.

Water surges through this rocky terrain with restless energy, cascading down ledges and swirling around the stone outcrops in sinuous, forceful movement. The turbulent waves and splashes are painted with a dynamic gesturalism, capturing not just the physicality of water, but its emotional resonance. The sea is not simply present, it is active, animate, and unrelenting, playing the role of both destroyer and sculptor of the coast it embraces. A soft veil of mist hangs in the air, subtly muting the scene and infusing it with a brooding, ethereal quality. This diffused atmospheric effect speaks to the romantic tradition of landscape painting, where nature is rendered as both beautiful and unknowable, inviting reflection on the sublime. The absence of human presence only deepens the contemplative mood, allowing the viewer to become the solitary observer in a realm untouched by civilization.

Kulathunga’s approach is expressive yet measured, striking a delicate balance between realism and abstraction. While the landscape is recognizable, the handling of light, texture, and form elevates it beyond mere representation, imbuing the scene with psychological and poetic undertones. It is a painting that not only depicts nature but communicates its enduring emotional power, its ability to humble, overwhelm, and stir the inner self. This work stands as a compelling testament to the artist’s sensitivity to landscape as metaphor. In its moody restraint and formidable beauty, it captures the eternal dance between earth and sea, stability and chaos, permanence and transformation

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.