Gallery Silver Scpaes
Untitled
Untitled
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Artist: Anita Roy Chowdhury
Medium: Oil on Canvas
Size: 23.5 × 20 inches (59.69 × 50.8 cm)
Year: 2009
Framed within the evocative architecture of a lived-in domestic space, this poignant composition delicately unravels the nuanced emotional landscape between a mother and daughter. Their figures, rendered with expressive restraint, stand in silent opposition, each embodying distinct psychological states that speak to the universal dynamics of familial tension. The daughter’s upright, slightly turned posture suggests defiance or withdrawal, while the mother’s composed, rooted presence radiates a quiet, unwavering steadiness. This contrast in gesture becomes the axis around which the emotional tension of the work revolves. Set against a backdrop of vibrant yet timeworn structures, faded walls, textured surfaces, and architectural details imbued with memory, the painting transcends the immediate scene to explore deeper themes of tradition, independence, and generational dissonance. The weathered surroundings serve not merely as context, but as symbolic extensions of the emotional inheritance shared between the two women: a space both sheltering and confining, familiar yet fraught.
The artist’s use of color is both evocative and strategic, earthy reds, muted blues, and sun-warmed ochres echo the layered history of the setting while heightening the psychological interplay between the figures. Subtle variations in tone and light underscore the emotional temperature of the moment, creating a visual rhythm that moves between confrontation and quietude. This composition deftly avoids sentimentality. Instead, it offers an honest, introspective look at the complex choreography of love and resistance that often defines the mother-daughter relationship. Through posture, proximity, and the unspoken language of gesture, the viewer is invited to witness a moment suspended between rupture and reconciliation, a moment steeped in shared history and silent understanding.
Beyond its narrative content, the painting stands as a meditation on the intergenerational push and pull that shapes personal identity within the bounds of familial intimacy. It gestures toward a reconciliation that may lie just beyond the frame, allowing space for reflection and empathy. The work is deeply rooted in the cultural fabric of domestic life, yet speaks to a broader, universally resonant human experience. Through its insightful portrayal of emotional complexity and its masterful balance of formal composition and symbolic weight, this painting becomes more than an image, it becomes a mirror for the viewer, inviting quiet introspection on the roles we inherit, resist, and ultimately embody.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.