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Gallery Silver Scpaes

Untitled

Untitled

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Artist: Jatin Das
Medium: Pastel & Charcoal on Canvas
Size: 24 × 18 inches
Year: 2013

This nude, portrait-style drawing captures the graceful essence of the female form through a delicate interplay of line, tone, and movement. Likely executed in colored pastels or charcoal, the composition presents a nude female figure from the mid-section upward, posed in a gentle twist, angled slightly to her left. The result is a study not only in anatomy but also in gesture and emotional resonance.

Rendered in soft, flowing lines, the artist imbues the figure with a sense of movement and natural fluidity. There is a lyrical quality to the contours of the body, each curve thoughtfully observed and sensitively translated to the page. The skin tones shift subtly from light peach to a deeper, warmer hue, creating a luminous gradient that suggests volume and softness. Through the skillful use of light and shadow, the artist creates a nuanced, three-dimensional presence that feels both grounded and ethereal.

The subject's hair is loosely styled and drawn with the same gentle, expressive touch. Its form blends seamlessly with the rest of the composition, echoing the relaxed posture and quiet elegance of the figure. Her arms are bent at the elbows, and her hands, only partially visible near the waist, suggest a pose of natural repose. There is no tension in the figure; instead, the work evokes a calm, contemplative mood, as if capturing a fleeting moment of private stillness.

The background is minimal, allowing the viewer’s attention to remain fixed on the subject. Rendered in soft beige tones, the backdrop serves as a warm, neutral field that enhances the figure’s form without distraction. Dark grey-brown lines frame the composition subtly, introducing a sense of structure and compositional balance. This framing effect, though understated, contributes to the sense that the subject is enclosed within a quiet, almost meditative space.

Executed with refined control and a deep sensitivity to form, this drawing speaks to the timeless tradition of figure study while also conveying a distinctly modern intimacy. It is not a mere anatomical representation, but a poetic interpretation of the body—a portrait that captures both physical presence and quiet emotion. The work invites the viewer to engage not only with its visual beauty but also with its serene and introspective spirit.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.