Gallery Silver Scpaes
Untitled
Untitled
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Artist: Tapan Mitra
Medium: Acrylic on Canvas
Size: 36 × 72 inches (91.44 × 182.88 cm)
Year: 2025
This untitled acrylic painting by Tapan Mitra presents a nighttime landscape, rendered in a distinctive folk-art-inspired style that blends simplicity with rich visual storytelling. With its bold use of color, stylized forms, and whimsical detailing, the work evokes both a sense of tranquility and quiet wonder.
The composition captures a serene, nocturnal view of rolling hills and distant mountains, layered in hues of dark maroon, deep blues, and forest greens. These overlapping forms create a rhythmic terrain that feels both grounded and dreamlike. Scattered across the slopes are small, stylized trees, painted with a deliberate uniformity that adds a patterned texture to the landscape. These trees, with their upright forms and simplified shapes, echo traditional folk or tribal art motifs, giving the work a timeless, almost mythic quality.
Nestled among the elevated ridges are small, pale-colored buildings or structures, which appear subtly illuminated against the darker tones of the hills. Their placement high on the slopes suggests isolated settlements or spiritual retreats, adding to the painting’s quiet narrative—one that feels both personal and universal. A light cream-colored stream winds through the valley below, acting as a visual anchor that gently guides the viewer’s eye through the scene. The softness of this element contrasts with the darker, denser tones of the surrounding landscape, suggesting a life-giving presence—perhaps a metaphor for continuity, memory, or the passage of time.
Above the land, the sky is a deep navy or indigo, dotted with gray, stylized clouds that drift in soft, rounded forms. A crescent moon, placed near the center of the sky, lends the scene a gentle luminosity, evoking a sense of peace and introspection. Birds in mid-flight appear throughout the composition, rendered with the same stylized approach as the other elements. Their presence introduces a sense of movement and freedom, subtly animating the otherwise still landscape. Tapan Mitra’s technique embraces bold shapes, simplified outlines, and flattened perspectives, characteristic of folk and illustrative art traditions. Yet, within this simplicity lies a deep emotional resonance, an ability to suggest solitude, harmony, and the quiet beauty of a landscape untouched by time. The painting invites viewers into a contemplative world, where night has fallen gently, and nature continues its silent rhythms under the watchful eye of the moon.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.