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Gallery Silver Scpaes

Untitled

Untitled

Rs. 0.00

Artist: Anurag Anand
Medium: Acrylic on Paper
Size: 11 x 16 inches (27.94 × 40.64 cm)
Year: 2023

This evocative painting presents a fragmented cityscape steeped in melancholy and quiet desolation. Rendered in a muted palette of browns, grays, ochres, and faded greens, the work captures the crumbling architecture of a once-inhabited space, now seemingly suspended in time. The clustered forms of buildings appear warped and distorted, their angled lines and collapsing structures evoking a sense of ruin, abandonment, and the fragile impermanence of human habitation.

At the heart of the composition is a light-toned domed building, which stands in stark contrast to the surrounding angular, dark-toned architecture. This lone structure becomes a focal point, not only compositionally, but symbolically, as a lingering trace of memory, faith, or former grandeur within a deteriorating landscape. Its soft curves and pale surface subtly resist the visual weight of surrounding decay, offering a glimmer of quiet endurance amid entropy. The expressive brushwork plays a critical role in conveying the mood and materiality of the scene. Layers of visible strokes create a richly textured surface, enhancing the sense of fragmentation and imperfection. The painterly technique reinforces the hand-made quality of the work, drawing attention to the process as much as to the subject, and mirroring the rough textures of aged stone, cracked walls, and weathered surfaces.

Sporadic patches of muted green punctuate the canvas, suggesting sparse, struggling vegetation, nature attempting to reclaim space amid urban collapse. These subdued organic forms provide a faint contrast to the rigid architectural geometry and lend the painting a subtle dynamic between growth and decay, absence and persistence. Above the city, a flat, dark sky looms heavily. Whether representing twilight, overcast weather, or symbolic gloom, the sky acts as a visual ceiling that deepens the mood of somber reflection. It provides emotional weight to the composition, enveloping the scene in a hushed, timeless atmosphere. Painting resonates as a meditation on memory, abandonment, and transformation. It is not merely a depiction of place, but an exploration of mood, of structures becoming ruins, of cities dissolving into silence. The abstraction of form and subdued color palette evoke both physical erosion and psychological fading, making the work a compelling and haunting reflection on the fragility of built environments and the histories they hold.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.