Gallery Silver Scpaes
The Man, the Boat, and the Goat
The Man, the Boat, and the Goat
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Artist: Anurag Anand
Medium: Mix Media on Canvas Board
Size: 24 x 18 inches (45.72 × 60.96 cm)
Year: 2024
This evocative twilight landscape transports the viewer into a quietly introspective world, where nature and human presence coexist in delicate harmony. Rendered in muted earth tones, ochres, umbers, deep greys, and subdued blues, the painting exudes a brooding atmosphere, enriched by textured brushwork that adds depth, mood, and subtle movement. The fading light of dusk permeates the composition, enhancing its intimate, almost cinematic quality. The scene is a cluster of rustic, weather-worn buildings, nestled into the surrounding landscape. Their rough geometry and earthy palette suggest both permanence and decay, echoing the passage of time in rural environments. A solitary nude figure stands among them, not as a symbol of exposure, but as one of quiet strength and resilience. The figure’s stillness, coupled with their vulnerable presence, introduces a deeply human element that invites empathy and reflection.
Adding to the composition’s grounded realism are two seemingly modest details: a rowboat and a goat. These symbols of daily rural life subtly enrich the narrative, anchoring the painting in the realm of the familiar. Their inclusion speaks to the quiet dignity of survival and routine, reinforcing the work’s broader meditation on solitude and the human condition. The artist’s expressive, near-naïve style imbues the scene with emotional immediacy. Loose, gestural brushstrokes and simplified forms bypass academic precision in favor of raw, poetic truth. This approach allows for a layered reading, one that balances realism with abstraction, presence with memory.
The painting stands out for its narrative depth and emotional sensitivity. It resists spectacle, choosing instead to create space for contemplation. The subdued palette, unhurried composition, and intimate scale all contribute to a viewing experience that is quiet, immersive, and deeply affecting. The landscape is not simply a backdrop; it becomes a character, holding memory, emotion, and time within its textures. This artwork is ultimately a meditation on the human spirit in stillness. It captures the nuanced relationship between solitude and resilience, between the physical and the emotional, between what fades and what endures. In a world often defined by noise and speed, this twilight scene offers a pause, a moment to reconnect with the elemental, the timeless, and the quietly powerful presence of life lived close to the land.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.