Gallery Silver Scpaes
Untitled
Untitled
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Artist: Anurag Anand
Medium: Acrylic on Paper
Size: 11 x 16 inches (27.94 × 40.64 cm)
Year: 2023
This commanding abstract painting captures the viewer’s gaze with its bold impasto technique and dynamic interplay of color. Dark blues, forest greens, deep browns, and searing oranges collide across the canvas, forming a visual field that is both emotionally charged and spatially ambiguous. The composition pulses with energy, irregular forms rise and dissolve within the layered surface, suggesting a landscape of shifting emotions and elemental forces.
The artist’s use of thick, expressive brushstrokes imbues the work with palpable texture. Paint is not simply applied, it is sculpted, layered, and worked into the canvas in a way that emphasizes its raw materiality. This physical engagement with the medium becomes a crucial part of the painting’s narrative, underscoring themes of chaos, creation, and transformation. Every mark feels immediate, instinctive, and charged with intent.
Amid the vigorous layering, luminous highlights emerge, glimmers of soft light that break through the darker passages. These moments of visual respite guide the eye through the complexity, creating rhythm and a sense of internal structure without confining the work to any literal interpretation. The tension between darkness and illumination reflects a duality often present in the artist’s work, where destruction and renewal, emotion and control, coexist in a fragile equilibrium. Untethered to a fixed subject or representational form, the painting invites open-ended interpretation. It does not seek to depict but to evoke, to create a visceral experience of presence and process. Viewers are encouraged to engage on an intuitive level, responding to the movement, color, and texture as they would to a piece of music or poetry. The work becomes a mirror for internal landscapes, prompting reflection on personal and collective emotional states.
This piece exemplifies the expressive power of abstraction. It stands as a testament to the artist’s fearless engagement with material and form, and their ability to translate emotion into visual rhythm. The painting’s scale, texture, and chromatic depth make it both physically and psychologically immersive, a striking contribution to contemporary abstract expressionism. This artwork is a meditation on the elemental nature of painting itself. It is a space of unfiltered emotion, of dynamic movement, and of profound material presence, where chaos is not disorder, but a vital force of becoming.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.