Gallery Silver Scpaes
Untitled
Untitled
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Artist: Anurag Anand
Medium: Acrylic on Canvas
Size: 25 x 25 inches (63.5 × 63.5 cm)
Year: 2024
This evocative painting presents a stylized vision of village life, where abstract forms and rural imagery merge to create a layered cultural landscape rich in memory and mood. Through a restrained palette of muted beige, soft brown, deep blue, and gentle yellow highlights, the artist composes a scene that transcends literal representation and enters the realm of symbolic and emotional resonance.
The clustered buildings are constructed through overlapping geometric shapes, their flat and sloping rooftops arranged in tiers that create a compelling sense of depth and structure. The architectural elements are simplified, rendered more as impressions than detailed depictions, yet they retain enough character to clearly suggest a rural village setting. This interplay of abstraction and reference allows viewers to locate the scene within a cultural framework while inviting open interpretation. Above the buildings, yellow boats float in a dark blue body of water, an unconventional but poetic placement that elevates the narrative dimension of the composition. The boats seem to hover or drift above the rooftops, suggesting either a mirrored reflection, a dreamlike layering of space, or a symbolic memory of riverine life. This unexpected juxtaposition disrupts traditional spatial logic in favor of a more emotional, mnemonic one, where lived experience, environment, and imagination coexist.
In the foreground, grazing animals quietly occupy the land, reinforcing the painting’s connection to agricultural life and grounding the composition in the rhythms of daily rural existence. These figures, though small and stylized, add warmth and vitality, suggesting harmony between human habitation and nature. Touches of blue and yellow punctuate the otherwise earthy palette, guiding the eye across the canvas and introducing subtle moments of visual brightness. These accent colors, paired with expressive brushwork and layering, enrich the texture and elevate the abstract quality of the work.
Painting is a compelling meditation on place, memory, and tradition. It skillfully blends the visual language of abstraction with the storytelling essence of folk and rural art. Rather than portraying a specific village, it evokes the feeling of many, archetypal, remembered, and imagined, allowing viewers to engage through both recognition and reverie. The artwork stands as a poetic reflection on the cultural landscapes that shape identity and collective memory, rendered with simplicity, nuance, and profound emotional clarity.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.