Gallery Silver Scpaes
Untitled
Untitled
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Artist: Vinod Sharma
Medium: Oil on Canvas
Size: 30 × 72 inches (76.2 × 182.88 cm)
Year: 2015
Vinod Sharma’s presents a striking exploration of landscape as both memory and metaphor. Known for his deeply atmospheric depictions of terrain, Sharma here transforms a rugged environment into a meditative panorama that resonates far beyond its physical form. Executed in oil on canvas, the work exemplifies the artist’s mature style, in which the materiality of paint is harnessed to evoke geological textures, organic rhythms, and the shifting qualities of light and air.
The foreground and middle ground are dominated by dark, almost charcoal-grey hills and rocky formations. These surfaces are not rendered as static masses; instead, Sharma infuses them with a sense of movement and depth. Etched across the terrain are intricate patterns resembling tangled roots or vein-like networks, as if the earth itself were alive, breathing, and inscribed with time’s passage. This interwoven surface treatment creates an impression of continuity between the organic and the mineral, between life and matter.
Stretching across the middle ground, a pale, light blue expanse of water breaks the density of the rocky forms. Its softly diffused edges suggest mist, fog, or perhaps the blurring effect of memory itself. Unlike the sharply textured rocks, the water is rendered with restraint, appearing almost translucent. This contrast enhances the painting’s atmospheric quality, imbuing it with an ethereal quietude. The viewer is invited not to identify a specific place, but to inhabit a liminal space where earth, water, and air dissolve into one another.
Sharma’s palette remains largely muted, dominated by shades of dark grey, black, and beige, accented by cool tones of blue. Light in the painting does not emanate from a single source but appears diffused throughout the composition, softening the scene and heightening its meditative aura. The resulting effect is neither dramatic nor picturesque in a conventional sense; instead, it conveys a contemplative stillness, a silence that speaks of endurance and timelessness.
The panoramic composition further enhances this sense of expansiveness. The elongated canvas functions almost like a cinematic frame, guiding the viewer’s eye laterally across the surface. The scale and horizontal stretch of the work reinforce the vastness of the imagined landscape, transforming it into a psychological as well as physical space.
In this painting, Vinod Sharma does not simply depict nature; he reimagines it as a layered field of memory, emotion, and transcendence. His landscape thus stands as an invitation to contemplate the eternal dialogue between land and water, solidity and fluidity, darkness and light.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.