Gallery Silver Scpaes
Untitled
Untitled
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Artist: M Shakeel
Medium: Acrylic on Canvas
Size: 42 × 42 inches (106.68 × 106.68 cm)
M. Shakeel masterfully explores the sacred power of language through a compelling synthesis of calligraphic tradition and textural depth. Executed in oil on canvas, the artwork centers on the Arabic word “Allah,” rendered in a stylized, dark gray script that evokes both reverence and permanence. The word is not simply written, it is inscribed with architectural weight, as if chiseled into an ancient stone edifice, merging calligraphy with the tactile memory of monumental form.
The composition is deeply rooted in Islamic artistic heritage, drawing from centuries of ornamental calligraphy, where script transcends function to become a sacred visual art. Shakeel’s interpretation situates the divine name within a weathered stone surface, rendered in muted grayish-brown hues. The stone itself bears the passage of time: cracks and craquelure ripple across the canvas, suggesting both historical endurance and spiritual resilience. This visual aging effect is intensified by a reddish-orange wash that appears to emanate from beneath the surface, subtle and evocative, it lends the piece an otherworldly luminosity, as though divine light burns beneath the material world.
Surrounding the central calligraphy is a highly intricate ornamental border composed of geometric and floral motifs. These patterns, executed in harmony with the script’s stylistic language, recall the decorative programs of Islamic architecture and manuscript illumination, where geometry and vegetal forms symbolize order, infinity, and divine unity. The repetition of these motifs creates a meditative rhythm, framing the divine name while inviting prolonged contemplation. Shakeel’s technique fuses painterly sensitivity with graphic precision. The surface treatment mimics carved stone, yet the medium, oil on canvas, adds a tactile richness and layered complexity. The artist negotiates the tension between solidity and inner glow, material surface and metaphysical suggestion, creating a work that transcends genre to operate as both visual icon and devotional object. The enduring role of calligraphy in conveying the sacred. Shakeel’s painting not only honors the spiritual and aesthetic dimensions of the word “Allah,” but also reimagines it for a modern viewer attuned to both the historical gravitas and expressive possibilities of religious art. The result is a meditative canvas where divine presence is etched into visual memory, quiet yet commanding, ancient yet timeless


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.