Gallery Silver Scpaes
Untitled
Untitled
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Artist: Madhav Satwalekar
Medium: Oil on Board
Size: 24 × 36 inches (60.96 × 91.44 cm)
Year: 1960
Madhav Satwalekar’s Village Scene captures the quiet rhythm and warmth of rural life through a harmonious, earth-toned oil painting rendered in a style that evokes elements of naïve and folk art. Executed in oil on board, the work presents a composition that is both grounded and luminous, celebrating the textures and colors of the natural and built environment. At the center of the painting, a cluster of modest thatched-roof houses stands closely packed together. Their orange-toned walls glow subtly, suggesting the sun’s lingering warmth on a late afternoon. The roofs, painted in soft golden yellow, echo the dry grass or straw typically used in traditional construction, and are rendered with a gentle brushstroke that conveys texture without excessive detail. This simplified depiction lends the scene a sense of innocence and immediacy.
Encircling the houses are generous, leafy trees that dominate the composition in scale and presence. Painted in varying shades of green, from olive and sage to deeper emeralds, their foliage appears broad and dense. The tree trunks are rendered with thick, textured strokes that emphasize their roughness and age, creating a dynamic contrast with the smoother, flatter walls of the village homes. Scattered around the buildings are small, dark human figures, reduced to silhouettes. These minimally detailed forms suggest movement and activity, some are walking, others seated, possibly in conversation or rest. The figures add life and narrative to the work without distracting from its overall compositional balance. Their anonymity makes them universal stand-ins for rural life, rather than portraits of specific individuals.
The ground beneath and around the village is composed of rich reds and browns, echoing the dry, sun-warmed earth typical of many Indian landscapes. In the foreground and near the houses, large, irregularly shaped rocks appear in shades of yellow-brown, anchoring the scene and adding a sense of permanence and natural history.
The entire painting is bathed in a soft, diffused light, with the earthy palette contributing to a sense of warmth and familiarity. Satwalekar’s brushwork here is direct and textural, yet composed with careful intention. His treatment of form, slightly flattened, stylized, and rhythmic, contributes to the work’s folk-like sensibility, drawing viewers into an idealized yet grounded depiction of village life. Village Scene stands as a celebration of rural simplicity and cultural continuity, rendered with affection and formal clarity by an artist deeply attuned to the spirit of place.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.