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Gallery Silver Scpaes

Untitled

Untitled

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Artist: Madhav Satwalekar
Medium: Oil Impasto on Wood Board
Size: 15 × 30 inches (38.1 × 76.2 cm)
Year: Circa 1950s

Madhav Satwalekar’s landscape in oil impasto on wood board presents a serene rural tableau rendered with a quiet, observational dignity. In this work, Satwalekar captures the everyday rhythms of village life through thick, expressive brushwork that imbues the scene with texture and a grounded physicality. A winding dirt road, painted in ochre and soft brown hues, draws the viewer into the composition, leading the eye naturally toward the heart of the village nestled in a shallow valley.

The setting is populated with modest thatched-roof houses, their earth-toned walls harmonizing with the surrounding landscape. A pair of oxen, broad-backed and deliberate, pull a cart piled with loosely defined bales of hay or straw, their movement suggesting the day’s slow, enduring labor. Human figures, rendered as small silhouettes or tonal impressions, dot the road and gather near the homes. These figures do not serve as portraiture but rather as quiet symbols of rural continuity, engaged in unseen conversations or daily tasks, grounded within their environment. A large leafy tree stands to the left of the road, its foliage painted with thick strokes of green and gray. The impasto technique is especially effective here, allowing Satwalekar to evoke not just the appearance of leaves but their physical presence. The textured trunk conveys strength and age, anchoring the composition while balancing its vertical scale. Beyond the valley, gentle hills stretch into the background, their green slopes fading into cooler grays as they recede. The overcast sky above is rendered with diffused whites and pale gray-blue tones, casting a soft, ambient light that blankets the entire scene with a subdued tranquility.

Satwalekar’s palette is restrained, grounded in browns, greens, and earthen reds. This muted scheme reflects the raw materiality of the land and reinforces the painting’s contemplative atmosphere. The impasto application adds dimensionality throughout, allowing brush marks and surface relief to echo the textures of soil, wood, and foliage. This work exemplifies Madhav Satwalekar’s sensitive engagement with place, atmosphere, and everyday life. Rather than romanticizing rural India, he presents a moment of stillness shaped by labor, time, and landscape. The result is a deeply rooted composition, quiet, tactile, and enduring, where form and content converge through disciplined observation and painterly depth.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.