Gallery Silver Scpaes
Untitled
Untitled
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Artist: Jiten Sahu
Medium: Acrylic on Canvas
Size: 31 × 56 inches (78.74 × 142.24 cm)
Year: 2023
This vibrant and stylized acrylic painting by Jiten Sahu presents a richly textured and color-saturated view of a village scene, infused with folk sensibility and contemporary abstraction. The composition is thoughtfully arranged to guide the viewer’s eye through layers of human presence, architectural forms, and cultivated land, all rendered in bold colors and simplified shapes.
At the forefront of the painting stands a woman, stylized with clear, defined outlines and flat planes of color. She holds a large, light green fruit in her hands, a gesture that adds both narrative and symbolic depth to the scene. Her clothing, a red blouse paired with a matching wide sarong or skirt—features striking contrasts against a light blue sash at her midriff. Her skin is rendered in a pale tone, while her dark hair is pulled neatly back, offering a calm, centered presence. She is positioned slightly to the right, angled toward the viewer with a composed, graceful stance, grounding the otherwise rhythmically active composition.
The middle ground comes alive with an exuberant cluster of village buildings painted in a medley of warm and cool hues, reds, oranges, yellows, blues, and greens, forming a near-geometric patchwork. These architectural shapes, although simplified, are distinctly individual in color and proportion, creating a dynamic sense of community and spatial density. Below the buildings, the land unfolds in golden yellows and soft greens, suggestive of cultivated fields or a sunlit terrain. This horizontal stretch of landscape provides a visual rest between the denser village and the vertical prominence of a large, stylized tree to the right. The tree is adorned with oval-shaped green fruits and painted in bold, confident strokes that echo the folk-inflected aesthetic of the rest of the painting. Like the woman and the buildings, the tree is rendered in a simplified, almost symbolic manner, its presence more metaphoric than botanical.
Jiten Sahu’s work draws inspiration from the visual traditions of rural India while simultaneously embracing modernist influences. His use of flat, vibrant color fields, bold outlines, and symbolic simplification echoes both folk art and post-impressionist composition. This particular painting captures the artist’s hallmark style: energetic yet meditative, deeply rooted in a sense of place, and animated by texture, pattern, and emotional clarity. It is a celebration of village life through a contemporary and poetic lens.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.