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Gallery Silver Scpaes

Untitled

Untitled

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Artist: Sanjay Bhattacharya
Medium: Watercolour on Paper
Size: 15 × 11 inches
Year: 2012

In this evocative work, Sanjay Bhattacharya captures a fleeting moment of everyday Indian life with his signature clarity and warmth. The composition brings together a poised woman draped in saffron hues and an elderly man mid-stride, their forms outlined in confident ink lines. Bhattacharya’s use of earthy washes and controlled detailing transforms an ordinary street scene into a subtle study of presence, distance, and human connection. The artwork reflects his gift for elevating the familiar, turning simple gestures, quiet glances, and lived environments into poetic visual narratives.

This painting beautifully embodies Sanjay Bhattacharya’s celebrated approach to realism, an approach defined not only by technical precision but by emotional sensitivity. He has long been admired for transforming everyday scenes into intimate encounters rich with narrative possibility. Here, too, he invites viewers to pause and observe the beauty in a moment that might otherwise pass unnoticed: a passing figure, a lingering gaze, and an unspoken tension between two strangers sharing the same visual space for just an instant.

Bhattacharya’s mastery of watercolour reveals itself in the gentle interplay of line and wash. His ink drawing provides strong structural character to the figures, while the translucent colour palette evokes the warmth and textures of India’s streets. The saffron drapery of the woman becomes a focal point, not only for its colour but for the grace and confidence she exudes. In contrast, the older man’s motion anchors the narrative in the tempo of everyday life, capturing the fluid rhythm of the urban environment.

A quiet sense of storytelling emerges through composition alone. The space between the figures, the direction of their movement, and the fleeting possibility of eye contact all contribute to a layered emotional reading. Bhattacharya’s strength lies in such subtle storytelling, where nothing overtly dramatic occurs, yet much is felt. His art is grounded in observation but carried by empathy.

Widely regarded as a master of atmosphere and detail, Sanjay Bhattacharya channels the influences of classical realism while speaking directly to contemporary lived experience. His streets are not anonymous; they are filled with memory, culture, and the quiet poetry of human presence.

Through works like this, Bhattacharya affirms that art does not need grandeur to be profound. The essence of life, its emotions, its small gestures, its silent narratives, is already waiting in the everyday.


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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.