Gallery Silver Scpaes
Untitled
Untitled
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Artist: Neeraj Goswami
Medium: Oil on Canvas
Size: 36 × 24 inches (91.44 × 60.96 cm)
Year: 2005
Neeraj Goswami’s compelling composition masterfully interlaces fractured planes rendered in lush, verdant hues, presenting a melancholic figure that subtly dissolves into a sophisticated geometric abstraction. This nuanced interplay between sharp angular forms and gentle, softened edges serves to blur the distinctions between figuration and abstraction, thereby evoking the transient and often elusive nature of memory and perception. Through this delicate balance, Goswami invites viewers into a liminal space where the boundaries of identity become porous, reflecting the fragile and mutable qualities of human experience.
The artist’s use of layered, fragmented forms constructs a visual language rich with emotional complexity, suggesting states suspended between presence and absence, reality and dream. These fractured shapes resonate like shards of a memory, fleeting and fragile, caught in the flux of time. The verdant palette, a symphony of deep greens and earthy tones, imbues the work with an organic vitality, while simultaneously conveying a sense of melancholy and introspection. This duality encapsulates the tension between life’s permanence and its inevitable impermanence.
Goswami’s work transcends mere representation, instead offering a poetic meditation on the self as a fluid construct, shaped by the continual interplay of remembrance and forgetting. The figure’s dissolution into geometric abstraction becomes a metaphor for the transient nature of identity, where emotions and experiences blend into one another, leaving traces that are at once vivid and ephemeral. The painting’s textured layers and overlapping planes enrich this contemplative atmosphere, encouraging the viewer to engage with the piece as an unfolding tapestry, a delicate, ever-shifting mosaic of loss, longing, and elusive beauty.
This evocative synthesis of form and color showcases Goswami’s profound sensitivity to the complexities of memory and emotional resonance. His work challenges the viewer to embrace ambiguity and impermanence, highlighting the poetic beauty inherent in life’s ephemeral moments. Through this intricate fusion of fractured geometry and lush color, Neeraj Goswami continues to assert his place as a significant contemporary voice, creating art that resonates deeply with the universal human condition.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.