Gallery Silver Scpaes
Untitled
Untitled
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Artist: Anita Roy Chowdhury
Medium: Oil on Canvas
Size: 29 × 23 inches (73.66 × 58.42 cm)
Year: 2005
Rooted in a compelling visual poetics, this poignant composition navigates the inner terrain of a solitary, crowned figure who stands as both sovereign and outcast. The crown, traditionally a symbol of authority, here takes on a layered significance, suggesting not only inherited status but also the invisible weight of expectations, tradition, and responsibility. The figure’s immobility contrasts starkly with the animated world surrounding him, revealing a deeply psychological tension between personal stasis and communal dynamism.
Around him, village life unfolds in quiet yet deliberate motion, birds in flight, modest homes nestled within the earth, and signs of natural growth all allude to a continuum of daily existence that seems just beyond the figure’s reach. These elements, delicately interwoven into the visual narrative, serve as poignant reminders of the rhythm of life from which the central figure appears emotionally estranged. This subtle choreography of motion around stillness speaks to a fundamental human condition: the dissonance between belonging and otherness, legacy and selfhood.
The artist’s palette, grounded in warm earth tones punctuated by gestural flashes of brighter hues, enhances the work’s introspective mood. This visual contrast mirrors the inner duality of the protagonist, rooted in a cultural identity yet yearning for transcendence. The texture of the surface, marked by expressive brushwork and deliberate spatial flattening, reinforces the psychological depth of the composition. It is not merely a portrait of a man but a meditation on the condition of being seen yet unseen, crowned yet constrained.
Through its symbolic lexicon and nuanced composition, the painting interrogates notions of inherited roles, cultural confinement, and the elusive pursuit of freedom. The figure’s gaze, perhaps turned inward, perhaps cast beyond the frame, draws the viewer into a shared space of reflection. It is a gaze that questions rather than asserts, one that invites empathy for the unseen burdens of identity and the silent struggles that accompany visible roles. Ultimately, this artwork offers more than a narrative, it offers a state of being. A timeless meditation on the psychology of solitude, on what it means to carry both the dignity and the disquiet of tradition. In this stillness, surrounded by the quiet murmur of life, the viewer is asked to contemplate their own place between motion and pause, heritage and hope.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.