Gallery Silver Scpaes
Untitled
Untitled
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Artist: Anita Roy Chowdhury
Medium: Oil on Canvas
Size: 30 × 24 inches (76.2 × 60.96 cm)
Year: 2007
Rendered with profound sensitivity and conceptual precision, this poignant composition captures the emotional and structural fissures that define the socio-economic divide. The artist employs a powerful visual language to articulate a silent, yet searing commentary on disparity, where privilege becomes a distant spectacle, and deprivation a lived, inescapable reality. Figures, marked by expressive restraint, occupy the peripheries of the canvas, their longing gazes trained toward an unseen promise of abundance that remains perpetually out of reach.
Through subdued tonalities and calculated spatial dynamics, the work evokes a palpable atmosphere of tension and yearning. The landscape, fractured and symbolically layered, functions not only as a physical setting but as a metaphor for division. Cracks, voids, and interrupted forms subtly but deliberately convey the emotional topography of marginalization. The figures are neither dramatized nor overtly individualized; instead, they emerge as quiet archetypes of collective struggle and endurance. The composition resists sensationalism, choosing instead to underscore the quotidian nature of systemic inequality. The restrained palette, predominantly earth tones and shadowy hues, reinforces the atmosphere of invisibility and containment. Yet within this muted chromatic spectrum, subtle shifts in light hint at an underlying resilience, a spark of hope that flickers within the depths of the marginalized gaze.
The artist’s ability to imbue each element with symbolic weight. The horizon line, distant, undefined, serves as a metaphorical boundary between two worlds: one of access and affluence, and the other of persistent exclusion. The architecture of the background, perhaps fragmented urban structures or faded silhouettes of opulence, remains aloof and impersonal, accentuating the emotional and physical disconnect. This is not a didactic piece, but rather a visual elegy, an intimate portrayal of quiet suffering, communal observation, and enduring human dignity. The figures are not defeated; they are watchful, rooted, and deeply aware. Their presence becomes a silent act of witnessing, a testament to the lives lived in the shadow of wealth, and a challenge to the viewer’s own perception of empathy and agency. Transcends mere depiction to become a reflective mirror, inviting viewers to confront uncomfortable truths about inequality, privilege, and the persistent human longing for recognition and inclusion. It stands as a meditative, haunting reminder of the emotional landscapes shaped by social divides, and the quiet strength that endures within them.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.