Gallery Silver Scpaes
Untitled
Untitled
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Artist: Jamini Roy
Medium: Gouache on Board
Size: 12 × 24 inches (30.48 × 60.96 cm)
Year: Circa 1950s
Evoking the profound dialogue between tradition and artistic innovation, this captivating composition offers a refined homage to the enduring legacy of folk art. At its core, the artwork distills the essence of cultural heritage into a harmonious visual language, where two figures emerge with poised serenity, their forms shaped by earthy ochres and verdant greens that resonate with natural authenticity. These figures, with their fluid and graceful gestures, conjure the evocative spirit of classical dance, articulating movement that is at once measured and lyrical.
The artist’s masterful employment of bold, sweeping contours and restrained detailing pays deliberate tribute to the stylistic hallmarks of Kalighat pat painting, a revered Bengali folk tradition celebrated for its minimalist yet expressive imagery. This aesthetic choice not only anchors the work within a rich historical context but also elevates it beyond mere representation, inviting viewers into a contemplative space where form and meaning coalesce. Intricate motifs of butterflies and trees punctuate the composition, infusing the scene with layers of symbolic resonance. These delicate natural elements underscore themes of transformation, vitality, and cyclical renewal, enriching the visual narrative while maintaining an elegant balance between ornamentation and simplicity. The inclusion of such motifs seamlessly integrates the human figures within a larger, idyllic environment, suggesting a meditation on the interconnectedness of life, art, and spirituality.
Through its synthesis of traditional iconography and expressive minimalism, the work emerges as a poetic reflection on devotion and artistic lineage. The figures’ serene harmony and fluid motion speak to a cultural continuity that transcends temporal boundaries, embodying both reverence for ancestral forms and a contemporary reimagining of folk aesthetics. This nuanced dialogue underscores the enduring relevance of folk traditions as living, evolving expressions within the modern artistic canon. Presented within the gallery context, this piece invites viewers to engage deeply with the layered interplay of movement, symbolism, and cultural memory. It stands as a testament to the artist’s profound understanding of heritage and their ability to translate age-old narratives into a visual rhythm that is both timeless and resonantly contemporary.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.