Gallery Silver Scpaes
Untitled
Untitled
Couldn't load pickup availability
Artist: Amit Rajvanshi
Medium: Acrylic on Canvas
Size: 60 × 48 inches (152.4 × 121.92 cm)
Year: 2024
An evocative abstract composition commands attention with its large scale and striking use of color and form. This painting, rendered in a Cubist-inspired style, features two figures whose interaction forms the emotional core of the work. The figures are constructed from an array of geometric shapes, blocks, planes, and facets, rendered predominantly in deep purples, indigos, and dark blues. These cool hues create a rich, moody atmosphere that is both contemplative and charged with tension. The edges of the figures are boldly articulated with contrasting lines in gold and muted greens, which serve to delineate contours and emphasize the structural interplay of shapes within the composition.
Positioned in close proximity, the figures appear engaged in a nuanced conversation or exchange, their postures and spatial relationship suggesting a narrative of connection or dialogue. The artist skillfully balances abstraction with a palpable sense of human emotion, inviting viewers to interpret the nature of this interaction within the painting’s formal language. The background is a complex matrix of intersecting geometric shapes, predominantly triangles and squares, painted in subdued tones of teal, black, and gold. This intricate backdrop creates a sense of depth and rhythm, acting almost as a stage on which the figures perform their silent exchange. The layered patterns offer a visual counterpoint to the solidity of the figures, enhancing the overall dynamism of the work.
A small, stylized bird positioned in the upper right quadrant introduces a delicate element of symbolism, perhaps evoking themes of freedom, communication, or watchfulness. Its presence subtly contrasts with the otherwise structured geometric environment, adding a lyrical touch to the composition. Throughout the piece, the artist employs a deliberate tension between order and emotion, structure and spontaneity. The geometric framework grounds the painting, while the dynamic interaction between the figures breathes life and movement into the canvas.
This work stands as a compelling example of contemporary abstract art, where Cubist formalism intersects with expressive narrative, creating a layered visual experience that rewards close observation and thoughtful reflection.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.