Gallery Silver Scpaes
Untitled
Untitled
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Artist : Ram Gopal Vijayvargiya
Medium : Oil on canvas
Size : 29 x 21 inches
Year : 1994
Delicately capturing a moment of quiet interaction, Ram Gopal Vijayvargiya’s oil on canvas presents two women poised within the intimate confines of a rustic hut. The painting’s warm, earthy palette envelops the scene, drawing attention to the nuanced textures of traditional South Asian attire and the humble architectural elements that frame the figures. Vijayvargiya’s meticulous rendering of fabric details and subtle adornments reflects his deep appreciation for cultural heritage and folk traditions.
The women, central to the composition, are depicted with a serene dignity. The figure in the foreground wears a mustard yellow-gold outfit paired with a brown skirt, her posture poised yet relaxed, suggesting attentiveness and engagement. Behind her, the second woman, draped in a deep blue-purple garment complemented by a red shawl, seems slightly withdrawn but equally present in the shared moment. Their light skin tones and dark hair, rendered with delicate brushstrokes, emphasize both individuality and a harmonious connection, evoking a narrative of companionship or shared observation.
The hut’s thatched roof and wooden supports, painted in muted browns and beiges, provide a humble yet textured setting that grounds the scene in rural life. Details such as a small light-green pot near the doorway and a delicate sprig of white flowers between the figures add subtle layers of symbolism and domesticity, enriching the painting’s narrative depth. The stylized ground, reminiscent of grassy or hay-like textures, further situates the work within a folk-art aesthetic, blending realism with expressive simplicity.
Vijayvargiya’s masterful use of oil paint imbues the canvas with a tactile richness, where layered brushwork and nuanced color harmonies convey warmth and quietude. The composition’s balance of figures and environment invites the viewer into a contemplative space, where everyday moments resonate with cultural significance and emotional subtlety. This painting stands as a testament to Ram Gopal Vijayvargiya’s enduring engagement with traditional South Asian themes, encapsulating both the beauty of rural life and the complexity of human connection. Through its evocative imagery and thoughtful composition, the artwork offers a timeless reflection on community, identity, and the rhythms of daily existence.
Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.
Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.