Gallery Silver Scpaes
Untitled
Untitled
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Artist: Gopal Samuntray
Medium: Acrylic on Canvas
Size: 48 × 48 inches (121.92 × 121.92 cm)
Year: 2011
Artwork presents a compelling visual dialectic between ferocity and fragility, nature and artifice, rendered through a highly evocative and symbolically charged composition. The artist stages this dynamic encounter with a dark-blue gorilla, majestic, raw, and imposing, occupying the left side of the frame. With its mouth agape in a moment of primal assertion, the gorilla becomes a visceral emblem of unrestrained power and instinctive emotion. Set against a cracked, textured backdrop of gray and pale blue, the surface evokes the parched, fractured terrain of drought-stricken earth or the weathered veneer of a decaying wall. This deliberate fragmentation introduces an existential terrain, a metaphor for rupture, vulnerability, and transformation. The deep fissures in the surface act as both visual rupture and generative space, from which delicate pink lotus flowers emerge.
The lotus, long venerated across cultures as a symbol of purity, renewal, and spiritual awakening, introduces a counterpoint to the animal's aggressive posture. The blossoms, depicted in various stages of bloom, rise gracefully from the fractured earth, anchored in a cluster of metallic, bottle-like forms. These sculptural elements, rendered in dark gray with an industrial sheen, stand in stark contrast to the organic softness of the petals, creating a compelling tension between the mechanical and the natural, the inert and the living. The composition thus performs a powerful symbolic interplay: the gorilla, embodiment of primal force, confronts the serene and sacred lotus, traditionally associated with transcendence and peace. Yet rather than existing in conflict, the two forces are held in uneasy coexistence. The gorilla does not trample the flowers, nor do the flowers retreat, they rise, resilient, from the cracks of a hostile ground.
Executed in a style that hovers between abstraction and expressionist surrealism, the painting challenges the viewer to consider dualities, strength and vulnerability, chaos and beauty, decay and regeneration. The textured surfaces, dramatic tonal contrasts, and improbable juxtapositions underscore the artist’s inquiry into the condition of coexistence in an increasingly fragmented world. Work ultimately offers a poignant meditation on resilience, where even in the face of overwhelming force, the fragile retains its agency, and from rupture, new life quietly insists on its place.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.