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Gallery Silver Scpaes

Untitled

Untitled

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Artist: Madhav Satwalekar
Medium: Oil on Board
Size: 30.48 × 60.96 cm (77.42 × 154.94 cm)
Year: Circa 1960s

This serene landscape painting by Madhav Satwalekar, rendered in oil on board, offers a tender and evocative glimpse into rural Indian life through a stylistic lens that blends folk sensibility with academic training. Characterized by an intentional simplicity and a warm palette, the work reflects Satwalekar’s nuanced understanding of everyday environments and his affinity for the rhythms of agrarian existence.

Composition are two thatched-roof structures, painted in pale beige and white, their humble forms softened by light and shadow. The roofs, in rich tones of burnt sienna, orange, and brown, are rendered with tactile brushstrokes that highlight their natural texture. Though simplified in shape, the buildings are alive with visual detail, arched openings and subtle gradients suggest depth and dimension. Their placement near a calm water body provides a sense of peaceful cohabitation between human settlement and nature.

The foreground path meanders gently between the huts, dotted with patches of greenery and clusters of wildflowers, suggesting untamed beauty and seasonal vitality. Along this path walks a solitary figure, likely a woman, balancing a bundle of harvested stalks on her head. This figure, small in scale but central in narrative, offers a poignant human anchor in the composition. She embodies the quiet resilience and dignity of rural labor, a recurring theme in Satwalekar’s oeuvre that aligns with his broader humanist vision. Surrounding the central scene are trees and foliage in a spectrum of greens, yellows, and browns, painted in broad, visible strokes. Their presence contributes to the painting’s folk-art character, where forms are stylized and expressive rather than strictly naturalistic. This aesthetic, often described as naïve or rustic modernism, underscores emotional sincerity over formal perfection—evoking a sense of place that feels both specific and timeless.

The background reveals a softly reflective water body, perhaps a river or stream, rendered in quiet grey-blue hues that mirror the hazy, sunlit sky above. The atmosphere is that of a warm morning or late afternoon, with diffused light casting a gentle glow across the scene. The entire composition is suffused with a contemplative stillness, a hallmark of Satwalekar’s landscapes. In this painting, Madhav Satwalekar balances pastoral nostalgia with painterly restraint, offering a meditative portrayal of village life. His folk-inspired yet refined visual vocabulary affirms the dignity of rural India while emphasizing harmony between human life and the natural world.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.