Gallery Silver Scpaes
Untitled
Untitled
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Artist: Prokash Karmakar
Medium: Oil on Canvas
Size: 40 × 30 inches (101.6 × 76.2 cm)
Year: 1998
Rendered with an expressive economy of form and a refined sensitivity to line and texture, this oil on canvas by Prokash Karmakar presents a contemplative study of the nude female figure. The composition is anchored by a seated woman, her posture relaxed and introspective, evoking a moment of quietude and self-possession. Executed in thick, outlined shapes with a muted yet warm color palette, the painting captures both the sensuality and the grounded stillness of the subject without resorting to overt eroticism.
Karmakar employs a stylized visual language, wherein the human form is abstracted into curving contours and simplified planes. Her skin tones range from pale beige to a richer tan, modeled with painterly texture that gives the surface a tactile presence. The black or dark brown hair flows in soft, rhythmic waves, complementing the organic curvature of the figure’s posture. One arm is gently raised, the other resting, suggesting ease and internal focus, emphasizing emotion and presence over narrative. Positioned near the figure is a small bird, rendered in similarly simplified forms and subdued colors. This seemingly modest element introduces a poetic dimension, symbolizing companionship, stillness, or freedom, depending on the viewer's interpretation. Its inclusion subtly underscores the artist’s interest in harmonizing human and natural elements within a shared compositional space.
The backdrop, a muted, light brown hue, functions not merely as background but as an integral part of the visual harmony. It provides a soft, unobtrusive stage against which the figure’s outline and color softly resonate. The visible texture of the painted surface furthers the handmade quality of the work, imbuing it with a quiet intimacy and material authenticity. Drawing on visual traditions of folk art and modernism alike, Karmakar's treatment of the female nude is both personal and universal. Eschewing anatomical precision in favor of emotional suggestion, he reclaims the nude from objectification, focusing instead on repose, introspection, and formal beauty. The stylization celebrates the fluidity of the body while invoking the timeless human condition of stillness and inner life. Prokash Karmakar, a key figure in modern Indian art, brings to this work his hallmark synthesis of sensuality, abstraction, and emotional depth. Through the delicate balance of line, form, and symbolic elements, the painting becomes an enduring meditation on the quiet power of the feminine figure in art.


Why Choose Us
Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.
All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.
Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.