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Gallery Silver Scpaes

Don't Ignore Me II

Don't Ignore Me II

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Artist: Arvind Sharma
Medium: Woodcut
Size: 20 × 28 in (50.8 × 71.12 cm)

Commanding attention with striking monochromatic contrast, Don’t Ignore Me by Arvind Sharma is a masterful woodcut that transforms a seemingly ordinary subject, a cat, into a compelling visual narrative rich with symbolic resonance and graphic intensity. Executed in bold black and white, the artwork seamlessly merges traditional printmaking techniques with contemporary stylization, offering a layered meditation on observation, presence, and urban tension.

The central figure, a stylized cat rendered in a dynamic crouch, dominates the composition with its commanding gaze and fluid posture. Its form is animated by a tapestry of meticulously carved patterns, sinuous lines, geometric motifs, and symmetrical textures, that evoke both the intricacies of fur and the ornamental traditions of folk and tribal art. These patterns not only enhance the visual depth and texture but also imbue the creature with an almost mythic presence, suggesting an entity that transcends the domestic and enters the symbolic.

The cat’s large, intricately detailed eye serves as the emotional focal point of the piece, a portal into the psyche of a creature both vigilant and enigmatic. This heightened gaze subtly implicates the viewer, echoing the title Don’t Ignore Me, and urging an encounter that goes beyond the surface. The paws, similarly adorned with fine linework, ground the cat in a moment of poised motion, alert, ready, watchful.

Hovering above and to the right of the feline form, a small circular inset reveals a simplified cityscape, buildings, streets, perhaps rooftops, reminiscent of a medallion or portal. This miniature world suggests a contextual framework, positioning the cat as an urban observer, or perhaps a displaced inhabitant of a rapidly transforming environment. The contrast between the organic, flowing design of the cat and the rigid, architectural lines of the city introduces a conceptual dialogue between nature and urbanity, individual agency and societal neglect.

In its totality, Sharma’s work transcends decorative appeal to offer a thoughtful commentary on marginality, attention, and the overlooked. The choice of woodcut as a medium enhances this message, its physicality and tactile quality evoking both endurance and resilience. The cat, as both subject and symbol, becomes a metaphor for those who live at the edges of visibility, alert, expressive, and deserving of recognition. Don’t Ignore Me is a powerful example of how graphic art can distill complex themes into a single, unforgettable image, bridging aesthetic beauty with socio-cultural critique.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.