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Gallery Silver Scpaes

Don't Ignore Me

Don't Ignore Me

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Artist: Arvind Sharma
Medium: Woodcut
Size: 20 × 28 inches (50.8 × 71.12 cm)

Arvind Sharma’s Don’t Ignore Me is a captivating woodcut print that invites viewers into a complex visual dialogue between form, pattern, and symbolism. Executed in stark black and white, this composition employs intricate, interwoven lines to construct a layered narrative that transcends literal representation, encouraging a multifaceted interpretation of presence, identity, and environment.

At the heart of the print lies a reclining female figure, rendered not as a singular form but as a dynamic lattice of interconnected lines and motifs. This network-like treatment suggests both fragility and resilience, evoking themes of entanglement, whether emotional, societal, or psychological. The figure’s repose conveys a sense of vulnerability, yet the density of patterning surrounding her body infuses the image with a profound complexity, reflecting the layered nature of human experience. Superimposed upon this form is a stylized cat-like creature, its face assertively prominent within the composition. The feline’s gaze, rendered with bold graphic precision, serves as an anchor amidst the visual intricacy, creating a compelling tension between the human and animalistic, the intimate and the enigmatic. The cat’s presence overlays and interacts with the female figure, symbolically merging identities and inviting contemplation on themes of guardianship, intuition, and the intersections between self and other.

The background further enriches the composition with a dense array of abstract shapes and patterns that recall architectural elements, fragmented buildings, angular forms, and urban motifs, rendered with the same meticulous attention to line and contrast. This architectural abstraction suggests a fragmented urban environment, a metaphorical space where memory, displacement, and societal constructs intertwine. The juxtaposition of the organic, curvilinear forms of the female figure and cat against the rigid, geometric architectural elements underscores the tension between nature and human-made structures, intimacy and alienation.

Sharma’s masterful use of black and white values not only enhances the textural richness but also amplifies the psychological depth of the work. The interplay of positive and negative space creates a rhythmic visual flow, compelling the viewer to navigate the complex layering and discover hidden narratives within. Don’t Ignore Me stands as a testament to Sharma’s ability to fuse traditional printmaking techniques with contemporary conceptual concerns. It challenges viewers to engage deeply with themes of visibility, identity, and urban existence, making it a powerful and resonant piece within contemporary graphic art discourse.

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Why Choose Us

Art has always, naturally, reflected the development and exploration of different thoughts and perceptions, and our current postmodern era is no different. It is interesting to see how art has evolved visually, yet the traditional methods of composing art remain a valid means of expression.

All it takes for an artist to rise above normalcy, is inspiration, which fuels his passion to paint beautiful creations throughout his life.
The valuable expression of art is always there with us, but now this expression is yet to take an interesting diversion with our art gallery, Gallery Silver Scapes, located in Hauz Khas Enclave. Art is no longer considered just decorative but has evolved and come forth as a major form of investment yielding high rates of returns for its buyers, making it an expression commonly used.

Mrs Mayor was walked into the art world by the legendary modernist Bimal Das Gupta, one of whose biggest collections remains with Gallery Silver Scapes. In the 1980s, as head and first curator of the Habiart Gallery founded by Mrs Rekha Modi — a childhood friend — Mrs Mayor worked closely with and curated shows for renowned artists such as A Ramachandran, GR Santosh, Rameshwar Broota, Sakti Burman, MK Bardhan, Dhiraj Chaudhury, M Sivanesan, and Arup Das among others.

Besides modern masters, she also worked with young contemporaries such as Sudip Roy, Paresh Maity, Subroto Kundu, Vinod Sharma, and many more. Artworks commissioned by her are now part of prestigious collections, such as those of the India Habitat Centre, Ranbaxy, Pepsi, Hotel Lalit, Bank of America, and many more private and public collections.