Suhas Roy’s paintings reveal a delicate balance between grace and introspection, rooted in a nuanced understanding of both Indian tradition and Western modernism. Born in 1936 in Bangladesh, Roy’s artistic foundation was laid at the Indian College of Arts and Craftsmanship in Calcutta, where he absorbed classical and contemporary techniques. His studies continued at Atelier 17, École Supérieure des Beaux-Arts in Paris under Prof. S.W. Hayter, a period that profoundly shaped his graphic sensibility and fostered a synthesis of diverse aesthetic influences.

Roy’s oeuvre centers around ethereal portrayals of Radha, the emblematic figure from Indian mythology. These works explore themes of beauty and melancholy with an elegance that oscillates between sensuality and innocence. The subtle emotional resonance within his compositions invites contemplative engagement, offering viewers a space to reflect on the quiet complexities of human experience. His imagery evokes a dreamlike atmosphere where simplicity and sophistication coexist effortlessly. Throughout a career marked by international exposure, Roy’s work has featured in major exhibitions such as the Asian Graphic Prints Traveling Exhibition in the United States, the Tokyo Print Biennale in Japan, and key Contemporary Indian Art shows across Yugoslavia, Romania, Czechoslovakia, Hungary, and New Delhi. His paintings are also held in esteemed institutions like the National Gallery of Modern Art, New Delhi, confirming his significant role in the narrative of Indian modern art.

The fusion of traditional Indian iconography with modern artistic language distinguishes Roy’s practice. His graphic arts training in Paris enriched his visual vocabulary, allowing him to reinterpret classical themes with contemporary subtlety. This blend has resonated deeply with collectors, critics, and fellow artists, ensuring his position as a lasting influence in Indian painting. Suhas Roy’s legacy persists in works that continue to inspire through their quiet lyricism and emotional depth. His ability to merge cultural histories with modernist forms creates a timeless dialogue, one that speaks to the enduring power of myth and the intimate expression of human feeling.